“He didn’t just tell stories; he sculpted memory.” A curatorial reflection on Nigerian writer and filmmaker Biyi Bandele, his theatre legacy

Susanne Wenger, photographed by Hakeem Shitta. Under the trees of the Osun Sacred Grove, art became more than expression. It became prayer, and prayer became a way of keeping memory alive. When Hakeem Shitta photographed Susanne Wenger, he wasn’t just taking a picture. He was capturing devotion, the kind that doesn’t demand to be seen but quietly changes everything around it. Known to the Yoruba as Adunni Olorisha, Wenger came to Nigeria as an artist and left the world